Mixed-arts celebration in Sterling

“Springtime in Winter” opening in Reston

Local painters, poets and musicians will celebrate the transition from winter to spring in a presentation of original works Saturday on the Sterling campus of Northern Virginia Community College.

The event is the culmination of a months-long collaborative process, in which eight pairs of poets and artists created poems and paintings around the theme “Springtime in Winter.”

Read more

The Washington Post, March 19, 2017

Car Seat Headrest in the news – Feb. 2017

“In less than a year, the album Teens of Denial made it to the top of countless best-of-2016 playlists, the band have been booked by high-profile mainstream TV shows such as The Tonight Show and the 24-year-old Toledo ­regularly faces huge crowds who roar his lyrics back at him in packed venues.”

–James Belfield in The Listener (New Zealand), Feb. 16, 2017

“Even without checking production credits, the imprint that Car Seat Headrest and lead singer Will Toledo has on Gold Connections is unmistakable.”

–Jared McNett in Paste Magazine, Feb. 13, 2017

“Gold Connections is something like the Silver Jews to Car Seat’s Pavement: rich and wandering, hazy and pensive with the sort of thoughtful lyrics and explosive choruses we’ve come to expect from a Toledo production.”

–Rob Arcand in Spin, Feb. 13, 2017

Review of “Drunk Drivers / Killer Whales”

–Erika Kooda in Atwood Magazine, Feb. 2, 2017

“It was certainly an experience we all needed.”

–Danielle Hansen on Howl & Echoes, Feb. 2, 2017

Piano Company is thriving downtown

Transporting more than 100 pianos across town last spring, from Battlefield Shopping Center to Market Street in downtown Leesburg, was no easy task. In fact, Robert Purdon, general manager of the Piano Company, described the move as “a logistical nightmare.”

But after 16 years at the store’s previous site, Purdon is happy with the shift to the current location, near the Loudoun County Government Center.

Full story

Washington Post, Jan. 1, 2017

Autographs of Herbie Hancock, Randy Weston, and others can be seen inside the $250,000 Fazioli concert grand on display at the store.

Car Seat Headrest makes ‘Best of 2016’ lists

Car Seat Headrest

“Teens of Denial”

“Drunk Drivers / Killer Whales”

“Vincent”

Fill in the Blank

“Cosmic Hero”

“Destroyed by Hippie Powers”

“The Ballad of the Costa Concordia”

 

Car Seat Headrest in the News – Dec. 2016

“This is an instant indie-rock classic.”

–Allan Raible on ABC News, Dec. 30, 2016

“…one of the most critically acclaimed indie albums of the decade.”

CEG, December 27, 2016

“As a wordsmith and ideas man, Toledo is up there with a clutch of maverick geniuses…”

–Tony Hardy on BestNewBands.com, Dec. 24, 2016

“Car Seat Headrest’s Talking Heads Cover ‘This Must Be The Place’ Is The Best Cover You’ll Hear This Year”

–Caitlin White on Uproxxx, Dec. 22, 2016

“The Will Toledo-led band covers a lot of different tracks during their sets, and at their homecoming gig at The Neptune last month, they covered the Talking Heads’ Speaking In Tongues track ‘This Must Be the Place (Naive Melody)’ with the help of their opening band.

–James Rettig on Stereogum, Dec. 22, 2016

“…there really is something jubilant about how Will Toledo takes that Pavement style of indie slop to such anthemic levels here.”

–Rob Sheffield in Rolling Stone, Dec. 21, 2016

Teens is a voice-cracking classic.”

–Abram Scharf on Creative Loafing (Tampa Bay), Dec. 21, 2016

“Through changes of pace and intelligent, introspective lyrics, Car Seat Headrest have created a work of raw depth and beauty.”

GIGsoup, Dec. 21, 2016

“The song simultaneously inspires feelings of dread and hope.”

–Darryl G. Wright re” “Fill in the Blank” on Spectrum Culture, Dec. 20, 2016

“Car Seat Headrest’s ‘Drunk Drivers /Killer Whales’ is an alt rock masterpiece and the linchpin of Teens of Denial, one of the year’s best albums.”

–Grant Ridnor on Spectrum Culture, Dec. 20, 2016

“These songs rock with a fuzzy-yet-clear intensity; they retain their DIY spirit, but the focus is sharper, as are the hooks, even when songs stretch past the seven-minute mark.”

–Steve Klinge in Magnet, Dec. 19, 2016

Teens of Denial takes the verbosity of artists like Jonathan Richman and Okkervil River’s Will Sheff and combines it with a classic rock-sized sound to create one of the most enthralling records of 2016.”

–Terence Praet in The Manuel, Dec. 19, 2016

Teens of Denial is a complex, smart, catchy record with some of the year’s best tracks on it.”

–Rich in The Revue, Dec. 19, 2016

“Utilizing the classic quiet-loud-quiet structure, ‘Cosmic Hero’ plays with emotions more than it has any right to.”

Dozens of Donuts, Dec. 19, 2016

–“‘Destroyed By Hippie Power’ rocked, revitalizing Indie Rock in one fell swoop.”

Dozens of Donuts, Dec. 19, 2016

“While the entirety of Teens Of Denial could be seen as a magnificent journey through an adolescents growing fears, ‘The Ballad Of The Costa Concordia’ organically put it in one paranoid package.”

Dozens of Donuts, Dec. 19, 2016

“…my favourite album and one to buy all your favourite people this Christmas is ‘Teens of Denial’ by my current favourite band Car Seat Headrest.”

The Only Indie Boy in Old York, Dec. 18, 2016

“…packed with great songs combining anthemic song hooks and shout-along choruses with smartly crafted lyrics of alienation, depression and survival.”

KEXP (Seattle) re: Teens of Denial, Dec. 16, 2016

“As Teens of Denial presents Car Seat Headrest (aka Will Toledo) in a full-band setting following a string of Bandcamp albums, it’s hardly the sound of bending to convention.”

–Hays Davis on Under the Radar, Dec. 16, 2016

“…Toledo applies his encyclopedic rock knowledge to writing indelible, engaging songs that manage to sound so big and yet feel so personal.”

–Steven Hyden on Uproxx, Dec. 15, 2016

“Rookie of the Year: Car Seat Headrest”

–Lior Phillips on Consequence of Sound, Dec. 15, 2016

“This first studio-recorded LP from the band, Teens of Denial is frustration, confusion and humor in one of its best rock interpretations.”

–Skye Leppo on The Key, Dec. 15, 2016

“When that crunching and cathartic ‘it doesn’t have to be like this’ refrain finally kicks in, it’s nearly as bracing as any face-slapping Nirvana chorus.”

Farce the Music, Dec. 15, 2016

“This is 23-year-old Will Toledo’s 13th album, a tale of 20-something lives and 90s influenced American indie rock par excellence.”

–Kernan Andrews in the Galway (Ireland) Advertiser, Dec. 15, 2016

“‘Drunk Drivers/Killer Whales’ was essentially indie rock’s anthem in 2016.”

–Eli Enis in The Alternative, Dec. 14, 2016

“Every generation gets the bookish, depressive indie-rock superstar it deserves, and you could scribble out the margins of every notebook inside a Staples with all the soul-scraping lines packed into Car Seat Headrest’s Teens of Denial.”

–Jeremy Gordon on Spin, Dec. 13, 2016

A feel-good album about people chemically incapable of feeling good, Teens of Denial reckons mental illness, alienation, and a blooper reel’s worth of false epiphanies without angst or coddling…”

–Mike Powell on Pitchfork, Dec. 13, 2016

“Teens Of Denial is that record I never got tired of.”

–Steven on 107.7 The End (Seattle), Dec. 13, 2016

Teens Of Denial is a massive statement, proof that the scruffiness of those old songs was more necessity than style.”

–A.G. on Uproxxx, Dec. 12, 2016

“…to paraphrase one of Toledo’s ancestors, a perfect sound is a perfect sound forever, and Denial found him honing it into his most cohesive, most endlessly replayable set yet.”

–Sean O’Neal on The A.V. Club, Dec. 12, 2016

“As a songwriter, Toledo captures what it’s like to be an awkward but thoughtful and intelligent man in his twenties in the modern era.”

–Bdog on The Gourmet Bachelor, Dec. 12, 2016

“…with Teens of Denial, Will Toledo has crafted a lofty, lyrically observant, melodic heavy and fun-as-hell album that does its predecessors well.”

Aquarium Drunkard, Dec. 12, 2016

“The chorus of the song…hits at the feeling of being an anxious millennial directly.”

–Corey Leung re: “Fill in the Blank” on Twin Sheep, Dec. 12, 2016

“Whether he’s lamenting his lost backpack or pondering that next glass of beer, Toledo makes the mundane sound brainy and cool.”

–Marcus J. Moore in Spin, Dec. 12, 2016

“His music is moving and even deeply affecting at times.”

–Joshua B. Hoe on On Pirate Satellite, Dec. 11, 2016

“Thank you, Car Seat Headrest, for delivering the best indie-rock album in years.”

–Jim Harrington in the (San Jose) Mercury News, Dec. 9, 2016

Teens of Denial collects a still more impressive dozen artful packed-with-ideas songs that never trip over their own ambition.”

–Dan DeLuca in the Philadelphia Inquirer, Dec. 9, 2016

“We followed everyone’s favorite new rock band Car Seat Headrest around SXSW 2016, just as they broke through.

–Chris Chafin in Brooklyn Magazine, Dec. 9, 2016

“They’re basically everything you ever wanted in a band, and will hit that spot for a music craving pretty much every time you have one.”

–Jackie Yeager in Bands in Town, Dec. 9, 2016

“Toledo’s vivid lyricism pumps Denial’s 70 minutes full of heart and humanity…”

–Eric Renner Brown in Entertainment Weekly, Dec. 8, 2016

“‘Vincent’ starts with 2½ minutes of gathering guitar Minimalism, adding a motor beat; then Will Toledo’s voice arrives, with bipolar confessions of self-doubt and excess, as the music just keeps building.”

–Jon Pareles in the New York Times, Dec. 7, 2016

“Toledo is one of those rare talents whose precision as a songwriter is matched by his gift for arrangement.”

–Andrea Domanick on noisey, Dec. 7, 2016

“…he managed to make a record that was as good as any rock record, maybe one of the best rock records of the century, and maybe one of the top 10 rock records ever made.”

–Bob Boilen on NPR, Dec. 6, 2016

“The record is a near-masterpiece, big and ambitious but still precise in every moment…and if he’s going to be the voice, or even a voice, of indie rock moving forward, I feel like we’re in good hands.”

–Nate Scott in USA Today, Dec. 6, 2016

“The complexity of the songwriting on Teens of Denial isn’t just a craftsman showing off; it’s the work of someone building something elaborate enough to hide inside.”

–J. Edward Keyes on Bandcamp, Dec. 6, 2016

“One of the best rising acts in rock.”

–Scott Russell re: Will Toledo in Paste Magazine, Dec. 6, 2016

“…someone who can express the torments and depressions of a generation with a twisted sense of humor and music that shambles as recklessly as life itself.”

Bitter Southerner re: Will Toledo, Dec. 6, 2016

“I admire a lot of music, but this is what I want from music.”

–Bob Boilen on NPR Music, Dec. 5, 2016

“If this doesn’t make you wanna crank the car stereo and go all Cannonball Run, you need new ears.”

–Matt Reilly re: “Vincent” on NPR Music, Dec. 5, 2016

“‘Drunk Drivers / Killer Whales’ says something about every year, every day, and every waking moment in our life, and that’s such a hard thing to do as a writer.”

–Michael Roffman on Consequence of Sound, Dec. 5, 2016

“…it simply and positively rocks.”

–Patrick Green on Crave, Dec. 5, 2016

“Car Seat’s entire set was pristine, and the band has clearly grown into their skin as live performers.”

–Dylan Sies on Northwest Music Scene, Dec. 4, 2016

“My good friend and roommate Julia always insists that the success of a first date can be determined by turning on the song ‘Drunk Drivers/Killer Whales’ in the car and seeing if they’re singing along by the end.”

–Adrienne Hohensee on KXSU (Seattle University), Dec. 2, 2016

Will Toledo’s review of Kanye West’s “The Life of Pablo”

Talkhouse, Dec. 2, 2016

“Toledo may posture as an underachiever, but with Teens Of Denial, he’s achieved something great, transcending his Bandcamp origins to create a work that rivals its lofty influences.”

–Peter Helman on Stereogum, Dec. 1, 2016

“Toledo’s open-book approach to personal struggles provides a scarred but triumphant human heart at the center of these 11 blazing epics, all of which find a radio friendly angle in the uncertainties of youth.”

–Jeff Terich in American Songwriter, Dec. 1, 2016

Another mystery solved

In 1981, I recorded a Dixieland jazz piece that was playing on KLON in Long Beach, Calif. I didn’t hear the name of the song or the performers. But if I had to guess, I would have said it was from the ’20s or ’30s, recorded in New Orleans, and entitled ‘Fare Thee Well.'”

Wrong, wrong and wrong.

Thirty-five years later, after an internet search on some of the lyrics, I finally found it. I was directed first to a song called “Mama’s Gone, Goodbye,” recorded by Peggy Lee. Right song, but not the recording I was looking for.

I found many different versions of the song on YouTube, some of which dated to the mid-1920s, including one sung by Sippie Wallace and a recording from a piano roll made by the song’s composer.

The recording I was looking for turned out to be from a 1960s-era jazz revival band, Big Bill Bissonnette and the Easy Riders Jazz Band, with Victoria Spivey on vocals.  They were based in Connecticut, of all places, and the recording was made in Wallingford (hometown of my Yale ancestors) on August 9, 1964.

Here it is:

Car Seat Headrest in the News – Sept. 2016

“[Will Toledo’s] staring straight at success’s snarling face, as generations of artists have before him, and choosing to remain vulnerable for art’s sake.”

–Hannah Hron on The Current (Minneapolis Public Radio), Sept. 29, 2016

“Car Seat Headrest seized the Majestic with raw, emotional energy.”

–Matthew Norman in the Badger Herald, Sept. 29, 2016

“I was floored by the level of performative polish they brought when given their own full set at an actual theater.”

–Amileah Sutliff in the Daily Cardinal, Sept. 29, 2016

“Car Seat Headrest were in Minneapolis last night when Will Toledo broke out into a piano-driven rendition of ‘Drunk Drivers/Killer Whales,’ before the rest of the band joined in.”

–Josh Rosenberg on Spin, Sept. 29, 2016

“The up-and-coming singer-songwriter reaches nostalgic adults and upbeat teenagers alike with his anthemic songs.”

–Brian Koppelman’s “The Moment” podcast on Slate, Sept. 27, 2016

“The Seattle-based band’s ‘Teens of Denial’ may be the best indie rock album of the year”

–Cormier in USA Today, Sept. 25, 2016

“Will Toledo…has certainly started a conversation, and, based on the size and energy of the crowd at Mercy Lounge, he is succeeding in getting his message across.”

–Matt Hall on No Country, Sept. 23, 2016

“His grungy, yet unforgettable guitar riffs paired with his semi-sarcastic lyrics is what makes him one of the best singer-songwriters out in the music world today.”

–Cullen Lewis on CincyMusic.com, Sept. 23, 2016

“On the eve of his band’s sold-out show at Thalia Hall on Friday night, Toledo talked about his strange new life as a rock star in the making.”

–Allison Stewart in the Chicago Tribune, Sept. 22, 2016

CityBeat recently tracked down Toledo to discuss his move from bedroom craftsman to the maestro of a fully realized band.”

–Jason Gargano in CityBeat (Cincinnati), Sept. 21, 2016

“Band of the Week: Car Seat Headrest”

–Jeff Niesel in Cleveland Scene, Sept. 21, 2016

“Toledo’s lyrics, filled with relatable yet idiosyncratic metaphors for love and heartbreak, just beg to be sung in a sweaty crowd of people, and so they were.”

–Matt Bobkin on Exclaim!, Sept. 20, 2016

“It’s introspective, self-deprecating, and nothing like the trendy pop-centric rock of the past decade. The songs are personal, imaginative and intelligent.”

–David Safar re: “Teens of Denial” on The Current, Sept. 19, 2016

“While the groggy vocals and bittersweet lyrics depict a downtrodden saga, the musicality of the songs lift spirits and feed the soul.”

–Taylor Shellman re: “Teens of Denial” on The Human Writes, Sept. 19, 2016

“How Car Seat Headrest went from bedroom band to internet sensation”

–Kinza Shenn on Hero, Sept. 19, 2016

“What really illustrated the band’s rise was the amount of singing along the whole Bowery crowd was doing at Thursday’s show…to nearly every song…”

–Bill Pearis on Brooklyn Vegan, Sept. 16, 2016

“It’s hard to put a finger on why they are so darn appealing, but it’s something in the dynamic shifts of Toledo’s vocals from low rumbling to piercing power that just impales your soul. It doesn’t hurt that his songwriting is just as incredible.”

JamBase, Sept. 16, 2016

“Car Seat Headrest, in spite of the choice of musical subjects and themes, isn’t teenage music. Everyone feels the angst of humanity occasionally, or often. All adults were once teens, and teens are people too. His themes are ours.”

–Julia McAnly on Smile Politely, Sept. 14, 2016

“Instead of musing about what influenced his songwriting, we asked Toledo himself.”

–Cam Lindsay in NOW Toronto Magazine, Sept. 14, 2016

“…the first Matador release of new songs is full of narratives and themes unfolding throughout its songs; one of the year’s best albums.”

–Mike Gerry on Open Ears Music, Sept. 13, 2016

“…the 24-year-old Toledo is being praised as one of the best young songwriters in indie rock.”

–Hal Bienstock on AMNewYork, Sept. 13, 2016

“The [Atlanta] show was a potent distillation of the singular mix of introversion and aggression, vulnerability and empowerment, insouciance and precision that makes Car Seat Headrest one of the best rising acts in rock.”

–Scott Russell in Paste Magazine, Sept. 9, 2016

“Toledo’s unassuming nature as the front man of Car Seat Headrest is the stuff romantic indie notions are made of, and all adulation is totally deserved…”

–Sean McQ on LockelandSprintsteen.com, Sept. 9, 2016

“Car Seat Headrest is already going where indie rock is set to head in the near future. They break boundaries without trying at all, and put on a humble performance with no shortcuts.”

–Olivia Ladd in MTSU Sidelines, Sept. 8, 2016

“Indie rockers, Car Seat Headrest, played a cover of Frank Ocean’s Blonde cut, ‘Ivy,’ at their latest show in St Louis.”

Conversations About Her, Sept. 7, 2016

“At a recent in show in St. Louis, Car Seat Headrest performed a cover of Frank Ocean’s Blonde highlight ‘Ivy.’ ”

–Noah Yoo on Pitchfork, Sept. 6, 2016

“During a show at St. Louis’ Ready Room, Will Toledo aka Car Seat Headrest gave a raggedy, emotionally-unhinged rendition of ‘Ivy,’ one of Blonde’s most immediate tracks.”

DIY Magazine, Sept. 6, 2016

“…thanks to Indieheads Podcast, we can see what happens when one of 2016’s best artists covers another of 2016’s best artists. Toledo definitely transforms the song in his musical image…”

–Cameron Wade in Paste Magazine, Sept. 6, 2016

“The performance gave a rougher, rawer edge to Ocean’s satin smooth original: an injection of angst and pain into a song that is, after all, about falling out of love and growing old. The result is cathartic.”

–Gavin Butler on Pages Digital, Sept. 6, 2016

“Outside of Frank covers, the up-and-coming act are definitely worth a listen. Though they didn’t make it into my recap, they were one of the most entertaining sets at Made In America and their latest album is destined to get spins well beyond 2016.”

–Alex Galbraith on Uproxx, Sept. 6, 2016

“Hitting Ocean’s notes is no easy feat, but head Headrest Will Toledo isn’t one to shy away from covering big names…”

–Anna Gaca on Spin, Sept. 6, 2016

“Will Toledo of Car Seat Headrest covered [‘Ivy’] at St. Louis’ Ready Room last night totally solo, and though Ocean’s isn’t an easy voice to imitate, Toledo’s take is pretty good.”

–Gabriela Tully Claymore on Stereogum, Sept. 6, 2016

“With this summer’s ‘Teens of Denial,’ Will Toledo and friends take a tremendous artistic step forward, proving the dynamism of vulnerability and ultimately making a compelling case for 2016’s record of the year.”

–Adam Ramos in The Observer (Notre Dame/Saint Mary’s), Sept. 5, 2016

“The life experiences in Toledo’s songwriting are more than just songwriting. He’s referred to [his] albums as emotional weather patterns.”

–Brittain Thompson in The Local Voice (Oxford, MS), Sept. 3, 2016

“…a hell of a first impression, a testament to Toledo’s unlikely prowess and proof that DIY gumption can indeed accomplish more, accomplish something.”

–D. Patrick Rodgers in Nashville Scene, Sept. 1, 2016

“CSH falls into a genre of itself. Covering a wide range of genres and topics, fans must be ready to expect anything from him.”

–Livvy Cohen in The Charger Online, Sept. 1, 2016

Car Seat Headrest in the news – Aug. 2016

“…a 12-track shoegaze-tinged rock safari through typical early adulthood struggles, backdropped by a fertile jungle thick with thunderous, fuzzy guitars.”

–Beca Grimm re: Teens of Denial on Creative Loafing (Atlanta), August 31, 2016

“Toledo displays a rarely heard subtlety in a pristine sound setting that only brings to life these astute and well delivered songs.”

–Nick Triani in One Quart Magazine, August 29, 2016

“Just in the past couple of weeks, Car Seat Headrest — now a band rather than a one-man project — have been introduced onstage by Warren Buffett and made their late-night TV debut.”

–Tom Breihan on Stereogum, August 26, 2016

“Toledo may seem like another unassuming kid from Leesburg, Virginia, but there’s a bona fide rock star hiding behind those glasses, and he let the world see it during last night’s performance.”

–Collin Brennan on Consequence of Sound, August 26, 2016

“After fronting the project for six years, Toledo took over the Late Show With Stephen Colbert with a performance of the debbie-downer banger ‘Fill in the Blank,’ the opener from Teens of Denial.”

–Brian Josephs on Spin, August 26, 2016

“A dapper Will Toledo and his band made their network TV debut on last night’s Late Show, performing “Fill in the Blank,” the opener from their excellent record Teens of Denial.”

–Scott Russell on Paste, August 26, 2016

“Watch Car Seat Headrest perform ‘Fill in the Blank’ on ‘Colbert'”

–Noah Yoo on Pitchfork, August 26, 2016

“Car Seat Headrest perform ‘Fill in the Blank.'”

CBS.com, August 26, 2016

“Toledo has produced 13 albums of innovative, addictive tracks, some of which Rolling Stone described as ‘impressive’ and ‘yearning.'”

–Amy Atkins in Boise Weekly, August 24, 2016

“…phenomenally good new record…”

–Duncan Harrison re: “Teens of Denial” on Crack Magazine, August 24, 2016

“Leesburg-launched Car Seat Headrest and Sen. Kaine to appear on Colbert Thursday”

–Trevor Baratko in the Loudoun Times-Mirror, August 22, 2016

“Fresh off the success of their latest album Teens Of Denial, Car Seat Headrest have shared a new track from their work on the short film Loudini.”

Conversations About Her, August 21, 2016

“…one of the most overwhelmingly emotional, lyrically specific and physically powerful indie rock records ever made.”

–Marshall Gu re: “Teens of Denial” on Free City Sounds, August 20, 2016

“Like indie buzz bands Parquet Courts and Big Thief, Car Seat Headrest is tapping into guitar rock reminiscent of ’90s stalwarts such as Pavement and Guided by Voices.”

–Kevin Coffey on Omaha.com, August 20, 2016

“The music is unashamedly indie, funny, cynical and great.”

Every Record Tells a Story, August 19, 2016

“Will Toledo doesn’t seem to know how to phone things in.”

–Ben Kaye on Consequence of Sound, August 19, 2016

“Car Seat Headrest have contributed a new song called ‘Does It Feel Good (To Say Goodbye?)’ to a short film called Loudini that was made in conjunction with Ray-Ban.”

–James Rettig on Stereogum, August 19, 2016

“Car Seat Headrest’s awe-inspiring Teens of Denial is one of Paste’s foremost favorite albums of 2016 so far…”

–Scott Russell on Paste, August 19, 2016

“‘Teens of Denial’ is a raw, cathartic album full of complex, yet relatable themes. 10/10”

–Hannah Nowakowski on WSUM.org, August 18, 2016

“The breakout indie rock band of the year — actually of the last few years…”

–L. Kent Wolgamott in the Lincoln (Neb.) Journal Star, August 18, 2016

“Warren Buffet will introduce Car Seat Headrest at Omaha’s Maha Music Festival.”

–Michelle Geslani on Consequence of Sound, August 18, 2016

“Here is your song of the Summer 2016”

–Chris DeVille on Stereogum, August 17, 2016

“Warren Buffett to introduce Car Seat Headrest at Maha Music Fest”

–James Rettig on Stereogum, August 17, 2016

Teens of Denial comprised his first all-new material for Matador Records, peaking at No. 3 on the Billboard US ‘Heatseekers’ chart and grabbing positive reviews across the board.”

–Andrew Stellman on Hear Nebraska, August 16, 2016

“Chuck Klosterman on How Rock Will Be Remembered in 2316”

Celebration Rock with Steven Hyden on audioboom.com, August 15, 2016

“… the best songwriter in contemporary music”

–Libby Webster re: Will Toledo in the Austin Chronicle, August 12, 2016

“How Car Seat Headrest Wrote His Fraught, Least-Favorite New Song, ‘Not What I Needed’”

–Dan Reilly on Vulture, August 11, 2016

“It’s a triumphant record that positions Car Seat Headrest as a musical force who are set to become a major part of the future soundscape of US rock.”

The MALESTROM re: “Teens of Denial,” August 10, 2016

“The clever and vulnerable songwriting of Toledo is brought to the forefront by his incredible vocal control…”

Holy Smokes, August 10, 2016

“The Car Seat Headrest album is destined for some year-end, top-ten action…”

–Jason Thomas on 93XRT, August 8, 2016

“This performance of ‘Fill In The Blank’ for The Current demonstrates that growth and nicely captures the band’s irrepressible drive.”

–Steven Spoerl on Heartbreaking Bravery, August 7, 2016

“Watch Car Seat Headrest perform at Pitchfork Music Festival 2016”

Pitchfork, August 4, 2016

“Car Seat Headrest are the latest indie rock act to earn the prestigious Smash Mouth cosign for their song ‘Drunk Drivers / Killer Whales.'”

–Peter Helman on Stereogum, August 1, 2016