Car Seat Headrest in the News – Dec. 2016

“This is an instant indie-rock classic.”

–Allan Raible on ABC News, Dec. 30, 2016

“…one of the most critically acclaimed indie albums of the decade.”

CEG, December 27, 2016

“As a wordsmith and ideas man, Toledo is up there with a clutch of maverick geniuses…”

–Tony Hardy on BestNewBands.com, Dec. 24, 2016

“Car Seat Headrest’s Talking Heads Cover ‘This Must Be The Place’ Is The Best Cover You’ll Hear This Year”

–Caitlin White on Uproxxx, Dec. 22, 2016

“The Will Toledo-led band covers a lot of different tracks during their sets, and at their homecoming gig at The Neptune last month, they covered the Talking Heads’ Speaking In Tongues track ‘This Must Be the Place (Naive Melody)’ with the help of their opening band.

–James Rettig on Stereogum, Dec. 22, 2016

“…there really is something jubilant about how Will Toledo takes that Pavement style of indie slop to such anthemic levels here.”

–Rob Sheffield in Rolling Stone, Dec. 21, 2016

Teens is a voice-cracking classic.”

–Abram Scharf on Creative Loafing (Tampa Bay), Dec. 21, 2016

“Through changes of pace and intelligent, introspective lyrics, Car Seat Headrest have created a work of raw depth and beauty.”

GIGsoup, Dec. 21, 2016

“The song simultaneously inspires feelings of dread and hope.”

–Darryl G. Wright re” “Fill in the Blank” on Spectrum Culture, Dec. 20, 2016

“Car Seat Headrest’s ‘Drunk Drivers /Killer Whales’ is an alt rock masterpiece and the linchpin of Teens of Denial, one of the year’s best albums.”

–Grant Ridnor on Spectrum Culture, Dec. 20, 2016

“These songs rock with a fuzzy-yet-clear intensity; they retain their DIY spirit, but the focus is sharper, as are the hooks, even when songs stretch past the seven-minute mark.”

–Steve Klinge in Magnet, Dec. 19, 2016

Teens of Denial takes the verbosity of artists like Jonathan Richman and Okkervil River’s Will Sheff and combines it with a classic rock-sized sound to create one of the most enthralling records of 2016.”

–Terence Praet in The Manuel, Dec. 19, 2016

Teens of Denial is a complex, smart, catchy record with some of the year’s best tracks on it.”

–Rich in The Revue, Dec. 19, 2016

“Utilizing the classic quiet-loud-quiet structure, ‘Cosmic Hero’ plays with emotions more than it has any right to.”

Dozens of Donuts, Dec. 19, 2016

–“‘Destroyed By Hippie Power’ rocked, revitalizing Indie Rock in one fell swoop.”

Dozens of Donuts, Dec. 19, 2016

“While the entirety of Teens Of Denial could be seen as a magnificent journey through an adolescents growing fears, ‘The Ballad Of The Costa Concordia’ organically put it in one paranoid package.”

Dozens of Donuts, Dec. 19, 2016

“…my favourite album and one to buy all your favourite people this Christmas is ‘Teens of Denial’ by my current favourite band Car Seat Headrest.”

The Only Indie Boy in Old York, Dec. 18, 2016

“…packed with great songs combining anthemic song hooks and shout-along choruses with smartly crafted lyrics of alienation, depression and survival.”

KEXP (Seattle) re: Teens of Denial, Dec. 16, 2016

“As Teens of Denial presents Car Seat Headrest (aka Will Toledo) in a full-band setting following a string of Bandcamp albums, it’s hardly the sound of bending to convention.”

–Hays Davis on Under the Radar, Dec. 16, 2016

“…Toledo applies his encyclopedic rock knowledge to writing indelible, engaging songs that manage to sound so big and yet feel so personal.”

–Steven Hyden on Uproxx, Dec. 15, 2016

“Rookie of the Year: Car Seat Headrest”

–Lior Phillips on Consequence of Sound, Dec. 15, 2016

“This first studio-recorded LP from the band, Teens of Denial is frustration, confusion and humor in one of its best rock interpretations.”

–Skye Leppo on The Key, Dec. 15, 2016

“When that crunching and cathartic ‘it doesn’t have to be like this’ refrain finally kicks in, it’s nearly as bracing as any face-slapping Nirvana chorus.”

Farce the Music, Dec. 15, 2016

“This is 23-year-old Will Toledo’s 13th album, a tale of 20-something lives and 90s influenced American indie rock par excellence.”

–Kernan Andrews in the Galway (Ireland) Advertiser, Dec. 15, 2016

“‘Drunk Drivers/Killer Whales’ was essentially indie rock’s anthem in 2016.”

–Eli Enis in The Alternative, Dec. 14, 2016

“Every generation gets the bookish, depressive indie-rock superstar it deserves, and you could scribble out the margins of every notebook inside a Staples with all the soul-scraping lines packed into Car Seat Headrest’s Teens of Denial.”

–Jeremy Gordon on Spin, Dec. 13, 2016

A feel-good album about people chemically incapable of feeling good, Teens of Denial reckons mental illness, alienation, and a blooper reel’s worth of false epiphanies without angst or coddling…”

–Mike Powell on Pitchfork, Dec. 13, 2016

“Teens Of Denial is that record I never got tired of.”

–Steven on 107.7 The End (Seattle), Dec. 13, 2016

Teens Of Denial is a massive statement, proof that the scruffiness of those old songs was more necessity than style.”

–A.G. on Uproxxx, Dec. 12, 2016

“…to paraphrase one of Toledo’s ancestors, a perfect sound is a perfect sound forever, and Denial found him honing it into his most cohesive, most endlessly replayable set yet.”

–Sean O’Neal on The A.V. Club, Dec. 12, 2016

“As a songwriter, Toledo captures what it’s like to be an awkward but thoughtful and intelligent man in his twenties in the modern era.”

–Bdog on The Gourmet Bachelor, Dec. 12, 2016

“…with Teens of Denial, Will Toledo has crafted a lofty, lyrically observant, melodic heavy and fun-as-hell album that does its predecessors well.”

Aquarium Drunkard, Dec. 12, 2016

“The chorus of the song…hits at the feeling of being an anxious millennial directly.”

–Corey Leung re: “Fill in the Blank” on Twin Sheep, Dec. 12, 2016

“Whether he’s lamenting his lost backpack or pondering that next glass of beer, Toledo makes the mundane sound brainy and cool.”

–Marcus J. Moore in Spin, Dec. 12, 2016

“His music is moving and even deeply affecting at times.”

–Joshua B. Hoe on On Pirate Satellite, Dec. 11, 2016

“Thank you, Car Seat Headrest, for delivering the best indie-rock album in years.”

–Jim Harrington in the (San Jose) Mercury News, Dec. 9, 2016

Teens of Denial collects a still more impressive dozen artful packed-with-ideas songs that never trip over their own ambition.”

–Dan DeLuca in the Philadelphia Inquirer, Dec. 9, 2016

“We followed everyone’s favorite new rock band Car Seat Headrest around SXSW 2016, just as they broke through.

–Chris Chafin in Brooklyn Magazine, Dec. 9, 2016

“They’re basically everything you ever wanted in a band, and will hit that spot for a music craving pretty much every time you have one.”

–Jackie Yeager in Bands in Town, Dec. 9, 2016

“Toledo’s vivid lyricism pumps Denial’s 70 minutes full of heart and humanity…”

–Eric Renner Brown in Entertainment Weekly, Dec. 8, 2016

“‘Vincent’ starts with 2½ minutes of gathering guitar Minimalism, adding a motor beat; then Will Toledo’s voice arrives, with bipolar confessions of self-doubt and excess, as the music just keeps building.”

–Jon Pareles in the New York Times, Dec. 7, 2016

“Toledo is one of those rare talents whose precision as a songwriter is matched by his gift for arrangement.”

–Andrea Domanick on noisey, Dec. 7, 2016

“…he managed to make a record that was as good as any rock record, maybe one of the best rock records of the century, and maybe one of the top 10 rock records ever made.”

–Bob Boilen on NPR, Dec. 6, 2016

“The record is a near-masterpiece, big and ambitious but still precise in every moment…and if he’s going to be the voice, or even a voice, of indie rock moving forward, I feel like we’re in good hands.”

–Nate Scott in USA Today, Dec. 6, 2016

“The complexity of the songwriting on Teens of Denial isn’t just a craftsman showing off; it’s the work of someone building something elaborate enough to hide inside.”

–J. Edward Keyes on Bandcamp, Dec. 6, 2016

“One of the best rising acts in rock.”

–Scott Russell re: Will Toledo in Paste Magazine, Dec. 6, 2016

“…someone who can express the torments and depressions of a generation with a twisted sense of humor and music that shambles as recklessly as life itself.”

Bitter Southerner re: Will Toledo, Dec. 6, 2016

“I admire a lot of music, but this is what I want from music.”

–Bob Boilen on NPR Music, Dec. 5, 2016

“If this doesn’t make you wanna crank the car stereo and go all Cannonball Run, you need new ears.”

–Matt Reilly re: “Vincent” on NPR Music, Dec. 5, 2016

“‘Drunk Drivers / Killer Whales’ says something about every year, every day, and every waking moment in our life, and that’s such a hard thing to do as a writer.”

–Michael Roffman on Consequence of Sound, Dec. 5, 2016

“…it simply and positively rocks.”

–Patrick Green on Crave, Dec. 5, 2016

“Car Seat’s entire set was pristine, and the band has clearly grown into their skin as live performers.”

–Dylan Sies on Northwest Music Scene, Dec. 4, 2016

“My good friend and roommate Julia always insists that the success of a first date can be determined by turning on the song ‘Drunk Drivers/Killer Whales’ in the car and seeing if they’re singing along by the end.”

–Adrienne Hohensee on KXSU (Seattle University), Dec. 2, 2016

Will Toledo’s review of Kanye West’s “The Life of Pablo”

Talkhouse, Dec. 2, 2016

“Toledo may posture as an underachiever, but with Teens Of Denial, he’s achieved something great, transcending his Bandcamp origins to create a work that rivals its lofty influences.”

–Peter Helman on Stereogum, Dec. 1, 2016

“Toledo’s open-book approach to personal struggles provides a scarred but triumphant human heart at the center of these 11 blazing epics, all of which find a radio friendly angle in the uncertainties of youth.”

–Jeff Terich in American Songwriter, Dec. 1, 2016

Another mystery solved

In 1981, I recorded a Dixieland jazz piece that was playing on KLON in Long Beach, Calif. I didn’t hear the name of the song or the performers. But if I had to guess, I would have said it was from the ’20s or ’30s, recorded in New Orleans, and entitled ‘Fare Thee Well.'”

Wrong, wrong and wrong.

Thirty-five years later, after an internet search on some of the lyrics, I finally found it. I was directed first to a song called “Mama’s Gone, Goodbye,” recorded by Peggy Lee. Right song, but not the recording I was looking for.

I found many different versions of the song on YouTube, some of which dated to the mid-1920s, including one sung by Sippie Wallace and a recording from a piano roll made by the song’s composer.

The recording I was looking for turned out to be from a 1960s-era jazz revival band, Big Bill Bissonnette and the Easy Riders Jazz Band, with Victoria Spivey on vocals.  They were based in Connecticut, of all places, and the recording was made in Wallingford (hometown of my Yale ancestors) on August 9, 1964.

Here it is:

Car Seat Headrest in the News – Sept. 2016

“[Will Toledo’s] staring straight at success’s snarling face, as generations of artists have before him, and choosing to remain vulnerable for art’s sake.”

–Hannah Hron on The Current (Minneapolis Public Radio), Sept. 29, 2016

“Car Seat Headrest seized the Majestic with raw, emotional energy.”

–Matthew Norman in the Badger Herald, Sept. 29, 2016

“I was floored by the level of performative polish they brought when given their own full set at an actual theater.”

–Amileah Sutliff in the Daily Cardinal, Sept. 29, 2016

“Car Seat Headrest were in Minneapolis last night when Will Toledo broke out into a piano-driven rendition of ‘Drunk Drivers/Killer Whales,’ before the rest of the band joined in.”

–Josh Rosenberg on Spin, Sept. 29, 2016

“The up-and-coming singer-songwriter reaches nostalgic adults and upbeat teenagers alike with his anthemic songs.”

–Brian Koppelman’s “The Moment” podcast on Slate, Sept. 27, 2016

“The Seattle-based band’s ‘Teens of Denial’ may be the best indie rock album of the year”

–Cormier in USA Today, Sept. 25, 2016

“Will Toledo…has certainly started a conversation, and, based on the size and energy of the crowd at Mercy Lounge, he is succeeding in getting his message across.”

–Matt Hall on No Country, Sept. 23, 2016

“His grungy, yet unforgettable guitar riffs paired with his semi-sarcastic lyrics is what makes him one of the best singer-songwriters out in the music world today.”

–Cullen Lewis on CincyMusic.com, Sept. 23, 2016

“On the eve of his band’s sold-out show at Thalia Hall on Friday night, Toledo talked about his strange new life as a rock star in the making.”

–Allison Stewart in the Chicago Tribune, Sept. 22, 2016

CityBeat recently tracked down Toledo to discuss his move from bedroom craftsman to the maestro of a fully realized band.”

–Jason Gargano in CityBeat (Cincinnati), Sept. 21, 2016

“Band of the Week: Car Seat Headrest”

–Jeff Niesel in Cleveland Scene, Sept. 21, 2016

“Toledo’s lyrics, filled with relatable yet idiosyncratic metaphors for love and heartbreak, just beg to be sung in a sweaty crowd of people, and so they were.”

–Matt Bobkin on Exclaim!, Sept. 20, 2016

“It’s introspective, self-deprecating, and nothing like the trendy pop-centric rock of the past decade. The songs are personal, imaginative and intelligent.”

–David Safar re: “Teens of Denial” on The Current, Sept. 19, 2016

“While the groggy vocals and bittersweet lyrics depict a downtrodden saga, the musicality of the songs lift spirits and feed the soul.”

–Taylor Shellman re: “Teens of Denial” on The Human Writes, Sept. 19, 2016

“How Car Seat Headrest went from bedroom band to internet sensation”

–Kinza Shenn on Hero, Sept. 19, 2016

“What really illustrated the band’s rise was the amount of singing along the whole Bowery crowd was doing at Thursday’s show…to nearly every song…”

–Bill Pearis on Brooklyn Vegan, Sept. 16, 2016

“It’s hard to put a finger on why they are so darn appealing, but it’s something in the dynamic shifts of Toledo’s vocals from low rumbling to piercing power that just impales your soul. It doesn’t hurt that his songwriting is just as incredible.”

JamBase, Sept. 16, 2016

“Car Seat Headrest, in spite of the choice of musical subjects and themes, isn’t teenage music. Everyone feels the angst of humanity occasionally, or often. All adults were once teens, and teens are people too. His themes are ours.”

–Julia McAnly on Smile Politely, Sept. 14, 2016

“Instead of musing about what influenced his songwriting, we asked Toledo himself.”

–Cam Lindsay in NOW Toronto Magazine, Sept. 14, 2016

“…the first Matador release of new songs is full of narratives and themes unfolding throughout its songs; one of the year’s best albums.”

–Mike Gerry on Open Ears Music, Sept. 13, 2016

“…the 24-year-old Toledo is being praised as one of the best young songwriters in indie rock.”

–Hal Bienstock on AMNewYork, Sept. 13, 2016

“The [Atlanta] show was a potent distillation of the singular mix of introversion and aggression, vulnerability and empowerment, insouciance and precision that makes Car Seat Headrest one of the best rising acts in rock.”

–Scott Russell in Paste Magazine, Sept. 9, 2016

“Toledo’s unassuming nature as the front man of Car Seat Headrest is the stuff romantic indie notions are made of, and all adulation is totally deserved…”

–Sean McQ on LockelandSprintsteen.com, Sept. 9, 2016

“Car Seat Headrest is already going where indie rock is set to head in the near future. They break boundaries without trying at all, and put on a humble performance with no shortcuts.”

–Olivia Ladd in MTSU Sidelines, Sept. 8, 2016

“Indie rockers, Car Seat Headrest, played a cover of Frank Ocean’s Blonde cut, ‘Ivy,’ at their latest show in St Louis.”

Conversations About Her, Sept. 7, 2016

“At a recent in show in St. Louis, Car Seat Headrest performed a cover of Frank Ocean’s Blonde highlight ‘Ivy.’ ”

–Noah Yoo on Pitchfork, Sept. 6, 2016

“During a show at St. Louis’ Ready Room, Will Toledo aka Car Seat Headrest gave a raggedy, emotionally-unhinged rendition of ‘Ivy,’ one of Blonde’s most immediate tracks.”

DIY Magazine, Sept. 6, 2016

“…thanks to Indieheads Podcast, we can see what happens when one of 2016’s best artists covers another of 2016’s best artists. Toledo definitely transforms the song in his musical image…”

–Cameron Wade in Paste Magazine, Sept. 6, 2016

“The performance gave a rougher, rawer edge to Ocean’s satin smooth original: an injection of angst and pain into a song that is, after all, about falling out of love and growing old. The result is cathartic.”

–Gavin Butler on Pages Digital, Sept. 6, 2016

“Outside of Frank covers, the up-and-coming act are definitely worth a listen. Though they didn’t make it into my recap, they were one of the most entertaining sets at Made In America and their latest album is destined to get spins well beyond 2016.”

–Alex Galbraith on Uproxx, Sept. 6, 2016

“Hitting Ocean’s notes is no easy feat, but head Headrest Will Toledo isn’t one to shy away from covering big names…”

–Anna Gaca on Spin, Sept. 6, 2016

“Will Toledo of Car Seat Headrest covered [‘Ivy’] at St. Louis’ Ready Room last night totally solo, and though Ocean’s isn’t an easy voice to imitate, Toledo’s take is pretty good.”

–Gabriela Tully Claymore on Stereogum, Sept. 6, 2016

“With this summer’s ‘Teens of Denial,’ Will Toledo and friends take a tremendous artistic step forward, proving the dynamism of vulnerability and ultimately making a compelling case for 2016’s record of the year.”

–Adam Ramos in The Observer (Notre Dame/Saint Mary’s), Sept. 5, 2016

“The life experiences in Toledo’s songwriting are more than just songwriting. He’s referred to [his] albums as emotional weather patterns.”

–Brittain Thompson in The Local Voice (Oxford, MS), Sept. 3, 2016

“…a hell of a first impression, a testament to Toledo’s unlikely prowess and proof that DIY gumption can indeed accomplish more, accomplish something.”

–D. Patrick Rodgers in Nashville Scene, Sept. 1, 2016

“CSH falls into a genre of itself. Covering a wide range of genres and topics, fans must be ready to expect anything from him.”

–Livvy Cohen in The Charger Online, Sept. 1, 2016

Car Seat Headrest in the news – Aug. 2016

“…a 12-track shoegaze-tinged rock safari through typical early adulthood struggles, backdropped by a fertile jungle thick with thunderous, fuzzy guitars.”

–Beca Grimm re: Teens of Denial on Creative Loafing (Atlanta), August 31, 2016

“Toledo displays a rarely heard subtlety in a pristine sound setting that only brings to life these astute and well delivered songs.”

–Nick Triani in One Quart Magazine, August 29, 2016

“Just in the past couple of weeks, Car Seat Headrest — now a band rather than a one-man project — have been introduced onstage by Warren Buffett and made their late-night TV debut.”

–Tom Breihan on Stereogum, August 26, 2016

“Toledo may seem like another unassuming kid from Leesburg, Virginia, but there’s a bona fide rock star hiding behind those glasses, and he let the world see it during last night’s performance.”

–Collin Brennan on Consequence of Sound, August 26, 2016

“After fronting the project for six years, Toledo took over the Late Show With Stephen Colbert with a performance of the debbie-downer banger ‘Fill in the Blank,’ the opener from Teens of Denial.”

–Brian Josephs on Spin, August 26, 2016

“A dapper Will Toledo and his band made their network TV debut on last night’s Late Show, performing “Fill in the Blank,” the opener from their excellent record Teens of Denial.”

–Scott Russell on Paste, August 26, 2016

“Watch Car Seat Headrest perform ‘Fill in the Blank’ on ‘Colbert'”

–Noah Yoo on Pitchfork, August 26, 2016

“Car Seat Headrest perform ‘Fill in the Blank.'”

CBS.com, August 26, 2016

“Toledo has produced 13 albums of innovative, addictive tracks, some of which Rolling Stone described as ‘impressive’ and ‘yearning.'”

–Amy Atkins in Boise Weekly, August 24, 2016

“…phenomenally good new record…”

–Duncan Harrison re: “Teens of Denial” on Crack Magazine, August 24, 2016

“Leesburg-launched Car Seat Headrest and Sen. Kaine to appear on Colbert Thursday”

–Trevor Baratko in the Loudoun Times-Mirror, August 22, 2016

“Fresh off the success of their latest album Teens Of Denial, Car Seat Headrest have shared a new track from their work on the short film Loudini.”

Conversations About Her, August 21, 2016

“…one of the most overwhelmingly emotional, lyrically specific and physically powerful indie rock records ever made.”

–Marshall Gu re: “Teens of Denial” on Free City Sounds, August 20, 2016

“Like indie buzz bands Parquet Courts and Big Thief, Car Seat Headrest is tapping into guitar rock reminiscent of ’90s stalwarts such as Pavement and Guided by Voices.”

–Kevin Coffey on Omaha.com, August 20, 2016

“The music is unashamedly indie, funny, cynical and great.”

Every Record Tells a Story, August 19, 2016

“Will Toledo doesn’t seem to know how to phone things in.”

–Ben Kaye on Consequence of Sound, August 19, 2016

“Car Seat Headrest have contributed a new song called ‘Does It Feel Good (To Say Goodbye?)’ to a short film called Loudini that was made in conjunction with Ray-Ban.”

–James Rettig on Stereogum, August 19, 2016

“Car Seat Headrest’s awe-inspiring Teens of Denial is one of Paste’s foremost favorite albums of 2016 so far…”

–Scott Russell on Paste, August 19, 2016

“‘Teens of Denial’ is a raw, cathartic album full of complex, yet relatable themes. 10/10”

–Hannah Nowakowski on WSUM.org, August 18, 2016

“The breakout indie rock band of the year — actually of the last few years…”

–L. Kent Wolgamott in the Lincoln (Neb.) Journal Star, August 18, 2016

“Warren Buffet will introduce Car Seat Headrest at Omaha’s Maha Music Festival.”

–Michelle Geslani on Consequence of Sound, August 18, 2016

“Here is your song of the Summer 2016”

–Chris DeVille on Stereogum, August 17, 2016

“Warren Buffett to introduce Car Seat Headrest at Maha Music Fest”

–James Rettig on Stereogum, August 17, 2016

Teens of Denial comprised his first all-new material for Matador Records, peaking at No. 3 on the Billboard US ‘Heatseekers’ chart and grabbing positive reviews across the board.”

–Andrew Stellman on Hear Nebraska, August 16, 2016

“Chuck Klosterman on How Rock Will Be Remembered in 2316”

Celebration Rock with Steven Hyden on audioboom.com, August 15, 2016

“… the best songwriter in contemporary music”

–Libby Webster re: Will Toledo in the Austin Chronicle, August 12, 2016

“How Car Seat Headrest Wrote His Fraught, Least-Favorite New Song, ‘Not What I Needed’”

–Dan Reilly on Vulture, August 11, 2016

“It’s a triumphant record that positions Car Seat Headrest as a musical force who are set to become a major part of the future soundscape of US rock.”

The MALESTROM re: “Teens of Denial,” August 10, 2016

“The clever and vulnerable songwriting of Toledo is brought to the forefront by his incredible vocal control…”

Holy Smokes, August 10, 2016

“The Car Seat Headrest album is destined for some year-end, top-ten action…”

–Jason Thomas on 93XRT, August 8, 2016

“This performance of ‘Fill In The Blank’ for The Current demonstrates that growth and nicely captures the band’s irrepressible drive.”

–Steven Spoerl on Heartbreaking Bravery, August 7, 2016

“Watch Car Seat Headrest perform at Pitchfork Music Festival 2016”

Pitchfork, August 4, 2016

“Car Seat Headrest are the latest indie rock act to earn the prestigious Smash Mouth cosign for their song ‘Drunk Drivers / Killer Whales.'”

–Peter Helman on Stereogum, August 1, 2016

Car Seat Headrest in the News – July 2016

Teens Of Denial is just the right combination of real angst and real musicianship…”

–Michael White on Pretty Neat Grooves, July 29, 2016

“Car Seat Headrest Announce Tour, Release Live EP”

–Matthew Strauss on pitchfork.com, July 25, 2016

“Car Seat Headrest announces U.S. fall tour”

–Michelle Geslani on Consequence of Sound, July 25, 2016

“Car Seat Headrest Covered David Bowie’s ‘Blackstar.’”

–Rachel Brodsky in Spin, 7/19/16

“The Seattle band behind one of the most acclaimed indie rock records of 2016 gets set for Capitol Hill Block Party.”

–Seth Sommerfeld in SeattleMet, 7/19/16

Will Toledo’s “sound takes elements from each — Lennon-McCartney’s studio experimentation, Brian Wilson’s lyrical introspection, Pete Townshend’s power-pop guitar riffs — and combines them into something wholly original.”

–Jacob Nierenberg in Seattle Times, July 18, 2016

“In town to play a sold-out show at the Triple Rock Social Club in Minneapolis, Car Seat Headrest…stopped by The Current’s studio for a session hosted by Mark Wheat.”

The Current (Minnesota Public Radio), July 18, 2016

“Toledo…remains a vulnerable lyricist, and on ‘Denial,’ he looks at inadequacy with inspired intelligence and compelling clarity.”

–Piet Levy in the Milwaukee Journal Sentinel, July 18, 2016

“Toledo encapsulates what it is like to be a young adult in the 21st century and the psychological distresses of the rather generalized ‘millennials.'”

–Hunter Holcomb on Hunterthinking, July 18, 2016

“What Toledo shares with The Replacements’ Paul Westerberg in particular is an almost-crippling self-awareness, which he ultimately overcomes with wit.”

–Nick Bollinger on RNZ (New Zealand), July 15, 2016

“…one of the best rock albums of the year.”

–Chris Riemenschneider re: “Teens of Denial” in the Minneapolis Star-Tribune, July 14, 2016

“…where would we be without the Pixies? Weezer? Pavement? EELS? All of which seem to be alive and very present [in Car Seat Headrest] and packaged in a delightful, intricate and intriguingly ‘new’ way.”

Ravechild, July 14, 2016

“…this album is a modern indie-rock classic. Toledo is a voice that should be watched for greatness ahead, coming off like a lost descendant of both Ray Davies and Stephen Malkmus. ***** ”

–Allan Raible on ABC News, July 13, 2016

“…a great, unadulterated guitar sound on ‘Fill in the Blank.’ It’s crunchy and dry, almost British sounding.”

–Joe Bosso in Premier Guitar, July 12, 2016

“…a breakaway album that realized Toledo’s work in punchy, scrappy, full-band arrangements.”

–Jennifer Kelly re: “Teens of Style” in Pop Matters, July 12, 2016

Denial is a sprawling, ambitious 12-song album that finds Toledo and his bandmates fully embracing and embellishing its new full band status.”

–Joshua Miller on Shepherd Express, July 12, 2016

“How Car Seat Headrest Became Indie Rock Heroes”

–Matthew Perpetua on BuzzFeed, July 10, 2016

“4Knots Fest 2016 in Pics”

— Photos 94-110 by Amanda Hatfield for Brooklyn Vegan, July 10, 2016

“Favorite Albums of 2016: Mid-Year Report”

Farce the Music, July 7, 2016

“Toledo joins musicians like Bob Dylan, Tom Waits and Conor Oberst, all with untraditional voices boosted by novelistic songwriting. The sheer amount of observations packed into these songs is astounding, made all the better by the fact that the music rocks.”

–Clarke Reader in The Lakewood Sentinel, July 6, 2016

“The crushing, anxiety-ridden lyrics of front-man Will Toledo also more striking than ever, leaving the crippling imperfections of his personality bare to witness on every aching track, bringing with them an incredible intimacy.”

–Joe Austin, on Toast, July 6, 2016

“Toledo’s deft wordsmithery takes this preoccupation with inner conflict and transforms it into sometimes weird, always compelling narrative.”

–Jeremy Burke in The Village Voice, July 5, 2016

“…epic singalongs and gloriously hook-heavy guitar songs.”

–James Belfield re: “Teens of Denial” on New Zealand Listener, July 4, 2016

“Lyrically Toledo is at his best. Besides Courtney Barnett he’s the best wordsmith in rock n roll right now.”

Wires & Waves re: “Teens of Denial,” July 3, 2016

“It’s the epiphany of adulthood’s anticlimax: a study, weighted equally by wit and poignancy (though never self-pity) of the free-fall between losing your innocence and reclaiming your self-respect, losing your faith and grasping for something, anything to replace it.”

–Andrea Domanick on Noisey, July 1, 2016

“24 hours spent in London spent with a songwriter paying the price for what might be the year’s best indie rock LP.”

–Alex Wisgard in the cover story of Loud and Quiet, July 1, 2016

Music aids recovery of stroke survivors

102

After Ron Sipes had a pair of strokes in October 2012, doctors predicted he would never walk or talk again.

But Sipes has defied the odds. On May 18, in a voice clear and strong, he sang out the opening lines of a song made popular by Louis Armstrong…

Read more…

The Washington Post, May 29, 2016

Car Seat Headrest in the news – May 2016

“This is an incredibly forward-thinking record that redefines the expectations for Car Seat Headrest on Matador records. I have a sneaking suspicion that this may end up as one of my albums of the year.”

–Matt McCrory on Redbrick, May 31, 2016

“The humour is what elevated it…putting Toledo on the map as a great songwriter who can keep a listener gripped and waiting for his next line.

The Funnel Blog re: “Teens of Denial,” May 31, 2016

“Toledo is quickly earning the reputation of a leading rock songwriter. ”

–Craig Wright in the (Univ. of Oregon) Daily Emerald, May 31, 2016

“Car Seat Headrest’s Teens of Denial is not just the rock album of the year, but may be the emergence of a new musical genius.”

–Dave Faulkner in The Saturday Paper, May 28, 2016

“Ric Ocasek’s loss is your gain…Guess he didn’t want to be linked to one of the year’s coolest indie-rock outings — assuming  you dig absurdly magnificent slacker-grunge that sounds like Pavement jamming with Beck (and sometimes Nirvana).”

–Darryl Sterdan in Toronto Sun, May 27, 2016

“He’s a concise, cutting writer whose wise, economical words and parenthetical thoughts give his crunching guitars, lo-fi synth skronk and laudable melodicism the textual, abstract feel of Michael Stipe meeting playwright Eugene O’Neill.”

–A.D. Amoros on Magnet, May 27, 2016

“Toledo is equally competent in writing savory melodies and uber-palatable instrumental sections as he is at penning incredibly witty narratives.”

–Eli in The Alternative, May 27, 2016

“Car Seat Headrest rocked the Underground Arts May 22. They knocked it out of the park with their ‘first’ real studio album on Matador, ‘Teens of Denial.'”

–Shane O’Connor on The Triangle, May 27, 2016

“Teens Of Denial is American indie rock par excellence and a serious contender for album of the year.”

–Kernan Andrews in Galway Advertiser, May 26, 2016

“It’s the type of thing that only a sample could accomplish, and though it may only be found in landfills…it’s a track that was evocative, engaging, and totally effective. That’s a hard thing to put a price on.”

–David Anthony re: “Just What I Needed / Not Just What I Needed” on A.V. Club, May 26, 2016

“There are many reasons why the music of Car Seat Headrest has connected with so many people but perhaps the main one is Will’s relatable lyricism.”

–Martyn Young in Upset Magazine, May 26, 2016

“…a rare thing, a 21st-century Great Rock Record – the formal studio debut of a self-recording wunderkind whose substantial Soundcloud oeuvre, anthologized on last year’s companion piece, Teens of Style, flagged a talent to be reckoned with.”

–Will Hermes in Rolling Stone, May 25, 2016

“We’d be shocked to see him fade into obscurity. It’s always a good sign when your latest record sounds like your best work, and when your influences reach decades into the past, you’ve got a better shot avoiding fleeting fads.”

–Matthew Ismael Ruiz on Flavorwire, May 25, 2016

“Will Toledo of Car Seat Headrest makes lo-fi rock that is brutally honest and touches on mental health and sexuality.”

–Harriet Gibsone in The Guardian, May 25, 2016

“Aside from simply being well-crafted and beautiful, it’s universally introspective and razor sharp. It’s laser-focused in the right places and it’s loose and rough around the edges exactly where it needs to be. If the rock stylings aren’t your taste, the masterful songwriting will be.”

–Spencer Tuckerman on From Loveland, May 25, 2016

“It gave Toledo his first experience of putting tracks together with a full band, and this feeds into every aspect of his monstrously impressive latest ‘Teens Of Denial.’”

–Alex Flood on NME, May 25, 2016

“Car Seat Headrest Sucks at Poker and Actually Likes Kanye’s TLOP Rollout”

–Quinn Moreland on Pitchfork, May 25, 2016

“Here’s what we captured at their show on Monday night at Black Cat with Naked Days.”

DC Music Download, May 25, 2016
“Be in no doubt, ‘Teens of Denial’ is an engrossing journey into a supremely intriguing musical mind.”

–Tom Hancock in DIY Magazine, May 24, 2016

“…one of the freshest indie rock groups in the world.”
–Marcus J. Moore in The Washington Post, May 24, 2016

“This album is a slow grower, revealing its charm slowly over extended listening, [preferably] augmented with headphones and lights out.”

–Shawn Skager in Northwest Music Scene, May 24, 2016

“There’s a giddy enjoyment to be derived from observing Car Seat Headrest as massive potential begins to be realized.”

–Seán Ryan on State, May 24, 2016

“Car Seat Headrest has generated a ton of media attention with interviews and profile pieces from Billboard, Spin, Vice, Interview Magazine, MTV and even USA Today.”

–James Kim on The Frame, May 24, 2016

“It’s a ride, this. From the off, it’s a blistering and fuzzed-out, punked-up, Seattle-flavoured driving stomp. Gloriously bare boned, stripped back and keen, it’s compelling and urgent in all the right places, with Will Toledo’s melodic rant dragging you through his artistic conundrum. As with all the best anthemic, powered-up pop, best heard loud. Many times.”

Getintothis, May 24, 2016

“Witty, compelling conflicted-inner-monologue lyrics coupled with killer hooks and skill-flexing arrangements result in what will likely transpire to be the best indie rock album of the year.”

–James Jennings in Rolling Stone, May 23, 2016

“Through changes of pace and intelligent, introspective lyrics, Car Seat Headrest have created a work of raw depth and beauty.”

–Jessica Otterwell in GIGsoup, May 23, 2016

“Toledo and company continue to excite by creating the conversation with their audience: a conversation of desperation, a conversation of loneliness, but also a conversation of hope.”

–Tyler Asay in The Key, May 23, 2016

“[Teens of Denial] follows up the well-received Teens Of Style from last year, and is already one of 2016’s most exciting prospects.”

–Ollie Rankine on The Student Playlist, May 23, 2016

“…the band who’s making you rigorously question and thoughtfully revise your definition of indie rock…”

–Dan Smart on Tiny Mix Tapes, May 23, 2016

“Toledo and the band may not be going to heaven, but they sure as hell brought us there.”

–Tyler Asay’s review of Car Seat Headrest concert at Underground Arts in Philadelphia in The Key, May 23, 2016

“Their infectious energy comes through in everything from their music, their dance moves, and their humor in between songs…”

–Chelsea Pineda on chelseapineda.com, May 23, 2016

“I think it’s just what we needed.”

–Jeff Terich on Treblezine, May 22, 2016

“‘Vincent’ shows he’s still a studio tweaker, a good thing.”

–Jon Pareles in New York Times, May 21, 2016

“If Teens of Denial stands as a sign of the times, things have turned out all right for us fans.”

–Nathan Mattise on Ars Technica, May 21, 2016

“We may be in the presence of the next big indie rock titan that could breathe some needed fresh air into the genre.”

–Jack G. on Sputnik Music, May 21, 2016

“Featuring a whir of buzzy guitars, choirboy harmonies and voluminous, soul-bearing lyrics tossed off with a slack, oft-ironic bent, Car Seat Headrest’s music calls to mind ‘90s indie legends like Guided By Voices and Pavement.”

–Dan Hyman in Playboy, May 20, 2016

“The aesthetic he’s curated — hyper-real lyrics, combined with instrumentals that split the difference between Weezer and Modest Mouse’s ’90s records — stands apart from any work he’s done previously.”

–Eric Renner Brown in Entertainment Weekly, May 20, 2016

“On Car Seat Headrest’s first proper new album for Matador, frontman Will Toledo reaffirms that he is ahead of the pack as an imaginative singer-songwriter, capable of crafting dynamic indie rock.”

–Jeremy Gordon on Pitchfork, May 20, 2016

“If Toledo didn’t want people to get excited about Teens of Denial, then he shouldn’t have made such a dynamic, smart, tuneful album.”

–Michael Tedder on Bandcamp Blog, May 20, 2016

“Will Toledo emerges as an aficionado of independent rock music on Teens of Denial, managing to sound like the heroes of the past while simultaneously pushing the boundaries of the genre.”

–AJ Moser on Fitted Living, May 20, 2016

“Toledo is young…but we can all agree on one thing: he’ll soon be big enough that finding his way to the stage will be hardly a problem at all.”

–Joseph Bloss in The Key, May 20, 2016

“Car Seat Headrest’s excellent Teens of Denial is out now, at least digitally…”

–Alex Wexelman in Brooklyn Vegan, May 20, 2016

“…one for the ages.”

–Graeme Campbell re: “Teens of Denial” on The 405, May 20, 2016

“Will Toledo, the brains and voice behind the operation, has a clear and precise ear for hooky riffs, and interesting sounds.”

–Corbin Reiff on Albums of the Day, May 2016

“Will Toledo’s latest is enigmatic, a little deceptive in places, and thoroughly gripping throughout.”

–Tom Hancock in DIY Magazine, May 19, 2016

“Win! The scrapped discs probably paid for themselves in terms of publicity.”

–Jeffrey Rabhan and Jem Aswad in Billboard, May 19, 2016

“Here’s the beautiful thing, Toledo did what songwriters at the peak of their creative powers do. He wrote another song. In a couple of days. It’s at least as good as the first one. I wonder when was the last time Ric Ocasek could do that?”

–Jennifer Kelly in Dusted Magazine, May 19, 2016

“We think this one will be one of 2016’s standout releases for its spontaneous narrative style, DIY attitude and innovative approach.”

the music (Australia), May 19, 2016

“This record is a win for rock in my book and I can only predict that this is a true beginning for Car Seat Headrest’s next stage that hopefully will produce more exciting music in years to come. You should get onboard now!”

–Christopher Anthony on The Fire Note, May 19, 2016

“This terrifically catchy, unfailingly intelligent album of new songs…”

–Dan DeLuca on Philly.com, May 18, 2016

“Guitar rock rules the album’s exceptional opening half, hitting its apex with the ingenious, duelling hooks of ‘Drunk Drivers/Killer Whales.'”

–Matt Bobkin in Exclaim! May 18, 2016

“Toledo and company have fully arrived, anointed, it seems, as the inheritors of a considerable array of rock’n’roll mythologies.”

–K. Ross Hoffman in The Key, May 18, 2016

Teens Of Denial…is everything great about indie rock collected into one album.”

–Tom Breihan on Stereogum, May 17, 2016

“[The songs] often feel as though they’re coming through deliberately cracked speakers, with Toledo’s weary, sing/speak vocals buzzing through brilliantly cobbled-together garage rock melodies.”

–Mike Hilleary in Flood, May 16, 2016

“…a killer rock album…”

–Juan Edgardo Rodriguez on No Ripcord, May 16, 2016

“The result is a smart, sharp and incredibly dynamic set of songs; a fiery bout of rock and roll that should very well soundtrack each and every road trip the summer sends your way.”

–Tom Johnson on Goldflakepaint, May 2016

“On this week’s Alt In Our Stars, Toledo took us into the mindset of a musician making the big jump.”

–Chris Payne in Billboard, May 13, 2016

“Toledo is maintaining a positive outlook on the situation…”

–Scott Russell in Paste Magazine, May 13, 2016

Teens of Denial delayed as Will Toledo re-records ‘Just What I Wanted/Not Just What I Needed'”

–Jeremy Gordon on Pitchfork, May 12, 2016

“Will Toledo’s upcoming Teens of Denial is going to make some serious waves. The dude is a prolific genius and he’s only 23.”

–Colin St. John in “11 Bands Who Might Be the Next Radiohead” on inverse.com, May 12, 2016

“Car Seat Headrest Is Gloriously Morose In ‘Teens of Denial'”

–Ken Tucker on NPR, May 11, 2016

“Toledo speaks for and to the disaffected ones shuffling along between adolescence and adulthood, kicking about the neighborhood to avoid home life and hiding out in their basements and garages when they can’t.”

–Charles Steinberg on Under the Radar, May 6, 2016

“Out of all of the acts at that three-day cluster-fuck of college radio showcases, Car Seat Headrest played with the most energy, the most eagerness and the least sense of entitlement.”

–Justin Joffe in Observer, May 6, 2016

“Strap yourself in. This could be the album of the year.”

–Kim Gillespie in Bay of Plenty Times (New Zealand), May 5, 2016

Car Seat Headrest in the news – Early 2016

“The lyrics are intimate but the music can get loud — some songs recall early demos from The Strokes.”

–Nate Scott on USA Today FTW! April 29, 2016

“You’re welcome, indie rock fans: Meet your next favorite album, Car Seat Headrest’s ‘Teens of Denial'”

–Scott Timberg in Salon, April 19, 2016

“Rarely does teen angst sound so fun.”

–NPR’s World Cafe Next, April 18, 2016

“Car Seat Headrest perfectly embodies Seattle’s music ethos – it’s three young dudes making banging, garagey arty rock, beautifully unpolished and sublimely honest, the exact sort of rawness that drove grunge from our basements to the rest of the world.”

–Scott Kulicke on KEXP blog, April 17, 2016

“From what we have heard of the new material so far it seems like Car Seat Headrest is set to take off.”

–Christopher Anthony on The Fire Note, April 15, 2016

“Rousing choruses, cut-to-the-heart lyricism, superfluous alter-egos — Teens of Denial pretty much nails every single ingredient that goes into a great rock record.”

–Collin Brennan on Consequence of Sound, April 14, 2016

“The 23-year-old Leesburg-born musician…is being hailed as one of the best young songwriters around; Rolling Stone compared him to both Brian Wilson and Guided By Voices-frontman Robert Pollard, and Consequence of Sound recently spent close to 1,700 words explaining why Toledo is the ‘indie rock hero we’ve been waiting for.'”

–Dean Essner in Washingtonian, April 14, 2016

“You might not believe in yourself by the end of ‘Fill in the Blank,’ but you will certainly believe in Car Seat Headrest.”

–Quinn Moreland on Pitchfork, April 12, 2016

“The album is a brainy adrenaline rush from the beginning, and the beginning is out in the world as of today.”

–Chris DeVille on Stereogum, April 11, 2016

“Guitars dance around the track like a fighter in the ring, stepping with surprising lightness around the crunchy rhythms.”

–Ben Kaye in Consequence of Sound, April 11, 2016

“Featuring album artwork of written-out lyrics, ‘Fill in the Blank’ has Toledo sounding frustrated with factors outside of his control, which only makes him more upset with himself.”

–Rachel Brodsky in Spin, April 11, 2016

“He was trying to figure out how much the general public was willing to accept as far as the complexities of a pop song.”

–Will Toledo discussing Brian Wilson’s “Wouldn’t It Be Nice” on Pitchfork, April 11, 2016

“The smart, somewhat off-kilter indie-rock of Car Seat Headrest…seemed a perfect fit for a night at a museum.”

–Kevin Bronson on buzzbands.la, April 3, 2016

“Fans of Beatles-esque 60s songwriting, 80s jangle pop, and 90s grunge will find him a welcome long term addition to their classic collection.”

–Cal Trefor on Gigwise, April 3, 2016

“His band puts on a great show [without] necessarily performing – but their set builds from a slow start to a frenetic, heavily rock climax. It’s emotional and transporting to watch.”

–Chris Chafin in Brooklyn, April 1, 2016

“The band dialed the noise up to 11 one last time…leaving this guy with a slight buzzing in his ear and a newfound respect for the straight-up rawking capabilities of Will Toledo.”

–Will Reisman on The Bay Bridged (San Francisco), April 1, 2016

“Two artists, separated in age by more than 40 years but with the same passion and drive to create, despite any obstacles. Music lives. Music thrives. Its only limitation is our ability to take it all in.”

–Jim Lenahan, re: Charles Bradley and Will Toledo performing at South by Southwest in USA Today, March 27, 2016

“You may have gathered that we’re excited about Car Seat Headrest’s upcoming album, Teens of Denial.”

–Jackson Sinnenberg on NPR‘s “All Songs TV,” March 24, 2016

“Now with a record deal, a full band, and a new album on the way, Toledo could soon find himself inspiring younger musicians.”

–Rachel Brodsky in Spin, March 24, 2016

“Not a good pop song. Damn fine rock song though. Damn. Fine.”

–Matthew Hickey, re: “Drunk Drivers/Killer Whales” on Turntable Kitchen, March 24, 2016

“Will Toledo…is a homemade songwriting wiz with a sound that reaches back to ‘90s acts like Pavement and Beck, but which, he explained after the show, really pulls from those bands’ predecessors, specifically The Beatles, The Who and Pink Floyd.”

–Dan DeLuca on philly.com (Philadelphia Inquirer), March 18, 2016

“Every element of the singer-songwriter’s agility shone through at his Under the Radar showcase, where he teased alt-pop tastes of his forthcoming Teens of Denial and let out a few self-deprecating comments.”

–Rachel Brodsky in Spin, March 17, 2016

“[The Flaked soundtrack] has even more indie cred thanks to the cuts it uses from Warpaint, EL VY, Car Seat Headrest and Kurt Vile – among many others.”

–Larry Bartleet on NME, March 10, 2016

“When respected Indie label…Matador Records came calling, Will Toledo was ready.”

–John Wenzel on Hey Reverb (The Denver Post), January 15, 2016

“Car Seat Headrest’s music is catchy, hooky and rough-hewn in the classic indie-rock tradition, and his lyrics are simultaneously funny and poignant — a difficult trick Toledo pulls off with casual aplomb.”

–Michael Roberts on Westword, January 12, 2016

“Toledo has been focusing on translating the intricately layered, angst-driven inertia of his recorded material to a live setting, where “everything is a lot more stripped-down, basic and rock-and-roll,” which sits fine with him.”

–Jonny Pepperman in Relix, January 8, 2016

Car Seat Headrest in the news – 2015

The indie rock band Car Seat Headrest, led by Will Toledo, has had a growing presence in the news media since mid-2015. As one of Will’s biggest fans — and as his father — I decided that this blog would be an appropriate place to start aggregating the reviews and interviews that are appearing online.

Here are links to some of the coverage of the band in 2015:

“His sun-bleached melodies dig deep in the brain while the lyrics offer mid-song meta analysis on the creative process, a director’s commentary on top of his surging lo-fi jams.”

–Dale W. Eisinger in Paper, December 16, 2015

“This is a band to watch.”

–Adam Valeiras in Flood Magazine, December 15, 2015

“What begins as an exploration of Will Toledo’s neuroses builds to a fist-in-the-air anthem to conquer all [in “Something Soon”].”

–Kate Drozynski in “NPR Music’s Favorite Songs of 2015,” December 15, 2015

“He has self-released hours of muted, needling indie-rock songs, and betrays a shameless affection for sunny sixties pop.”

–Night Life column in New Yorker, December 5, 2015

“Riff-heavy, Strokes-like mumbling tracks, such as “Something Soon,” display the songwriter’s gift for intelligent angst…”

–Dutch Godschalk on Ticket, November 30, 2015

“The difference between this situation and every other band ever, is that Car Seat Headrest already had a national audience for many of these releases.”

–Joseph Cardina on Buffablog, November 17, 2015

“Will Toledo has seen his profile rise exponentially…with the release of ‘Teens of Style’…”

–Andy Downing in redeye Chicago, November 12, 2015

“Toledo’s Bandcamp is an impressive archive of material, and there’s no great way to plow through the whole thing efficiently. The closest experience I’ve had is trying to mow down everything Neil Young recorded over 30 years.”

–Mario Aguilar in 20kHz, November 6, 2015

“Toledo is a very witty, self-aware fellow, so the introspection is more like offbeat poetry, set to hooks that deserved to escape the bedroom.”

–Chris Payne in Billboard, November 4, 2015

“While it may seem lazy to compare Toledo’s style to the lo-fi aesthetics and witty wordiness of Matador icons like Pavement and Guided by Voices, his music undoubtedly does touch on a similarly vulnerable vein with his thoughtful stream of consciousness.”

–Dusty Henry in Seattle Weekly, November 3, 2015

“Toledo’s verses are rife with the sorts of teen-age drama that rock was invented to channel.”

–Will Hermes in Rolling Stone, November 2, 2015

“Toledo quickly became one of the most buzzed about artists who played [at CMJ], and although Teens of Style arrives today, listeners already eagerly anticipate the release of Teens of Denial, due out early next year.”

–Emily McDermott in Interview, October 30, 2015

“Toledo’s songwriting has always been his strong suit, and his ruminations on well-worn themes of unrequited love, alienation, and teenage rebellion are spiked with wisdom.”

–Drew Fortune in A.V. Club, October 30, 2015

“His lyrics are rapaciously intelligent and self-aware, but he never lets his prodigious literary intelligence get in the way of crafting enjoyably off-kilter, anthemic rock songs.”

–Jeremy Gordon on Pitchfork, October 28, 2015

“Toledo’s melody lines are the sort of stuff that you want to stay stuck in your head for a long time…”

–Mack Hayden in Paste Monthly, October 27, 2015

“Toledo’s songs are often compared to those of the Strokes, and while they share spiky elements with that band, Toledo’s freewheeling narratives are more akin to those of Courtney Barnett — hilarious, sharp, and whip smart.”

Aquarium Drunkard, October 22, 2015

“Toledo is a master of tonal control, and the way his songs lurch from self-indulgent regret to empowered declarations and then all the way back again is something to behold.”

–Joseph Earp in Renowned for Sound, October 19, 2015

“Will Toledo might be the voice of a very restless and agitated generation.”

–Lindsey Rhoades in The Village Voice, October 12, 2015

“Neil Young + Swans + Dave Matthews Band”

–Will Toledo describing the band in seven words or less in “So You’re Playing CMJ,” September 15, 2015

“Will Toledo’s story is the kind of internet-era fairytale everyone wants to believe in…”

–Cate McGeehee in Noisey, September 11, 2015

“What’s unchanged is Toledo’s sharp songwriting, which perfectly captures the frustration of feeling trapped in your current circumstances.”

–Kyle Kramer in Noisey, September 1, 2015

“Toledo’s songs themselves play out on a grand scale, one that will be fitting for a larger audience.”

–James Rettig in Stereogum, September 1, 2015

“That Toledo has built such a dedicated fanbase over the years, who have followed his hefty release schedule devotedly, is a testament to the aforementioned ability to connect deeply with an audience.”

–Graham Johnson reviewing “How to Leave Town” in Rare Candy, July 27, 2015

“On ‘Teens of Style’, Car Seat Headrest’s Matador debut, even the quietest moments carry with them a sense that Toledo is using every bit of his considerable talent to maintain some kind of holy balance between scuzz and sublimity, effortless melodicism and fractured surfaces.”

–Michael Wojtas in Clash, June 11, 2015

Loudoun Symphony to debut award-winning composition

Steven Snethkamp, a composer based in East Lansing, Mich., will find himself in esteemed company Saturday, when his name joins those of composers such as Beethoven and Mussorgsky on the program of “Orchestral Palettes,” the final concert of the Loudoun Symphony Orchestra’s 25th-anniversary season.

The centerpiece of the concert, at Stone Bridge High School in Ashburn, will be the professional premiere of Snethkamp’s composition, “Interstellar Arias,” winner of this year’s American Composer Competition. The concert will open with Beethoven’s “Consecration of the House Overture” and conclude in grand fashion with Mussorgsky’s “Pictures at an Exhibition.”

Read more…

Washington Post April 24, 2016